Download the Lesson Plan
Political philosopher Hannah Arendt coined the phrase "the banality of evil" to explain the psychology of Nazis who killed Jews during the Holocaust. In the ensuing years the world has witnessed many other instances of political atrocities, including genocide. This lesson examines one such atrocity: the mass killings of communists and other political opponents, as well as civilians, in 1965-66 Indonesia. It introduces the events in Indonesia through an unprecedented film, The Act of Killing, in which leaders of the death squads recount their own stories. This provides an excellent opportunity for students to consider whether or not Arendt's concept still applies.
Video clips provided with this lesson are from the highly acclaimed and controversial Academy Award®-nominated film, The Act of Killing.
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By the end of this lesson, students will:
- Understand the meaning of Arendt's phrase, "the banality of evil," well enough to apply it to a current situation
- Become familiar with the circumstances through which the current leadership in Indonesia came to power
- Write persuasive essays
- Use listening, observation, speaking (discussion) and reasoning skills
11 -- college/university
Global Studies, History, Philosophy, Political Science
- Internet access for video streaming and equipment to show the class online video
ESTIMATED TIME NEEDED
One class period (45 minutes) split over two sessions, plus preparation (see "Pre-Requisites" below)
A Note to Teachers
The film clips show the leader of a death squad talking about his "work." The subject matter is not graphic, but it is powerful and disturbing. Be prepared for the possibility that the activity could upset some students and consider whether or not the activity is appropriate, especially for students who have themselves experienced violence or atrocities.
Clip 1: "The History" (Length: 1:19 min.)
The clip begins at 2:25 with text on screen over a city scene and ends at the end of the text (3:44). This text provides historical background for the film, recounting the 1965 military coup in Indonesia and explaining how the military used local "gangsters" to kill communists and other opponents. It also explains the format of the film, which asks one of the gangsters, Anwar Congo, to tell the gangsters' story in any way he and the others want; what they want is to do scenes based on the genres of American films that they most love.
It may be helpful to explain the filmmaking process to students. The director worked one scene at a time and talked with participants about what they wanted to do, then shot both the scene and the making of the scene. The footage was then screened back to the participants and discussed, and both the reactions to the screening and discussion that followed were filmed. There was thus never one film outside of The Act of Killing. The Act of Killing is the film for which they are making the scenes.
Clip 2: "How to Kill with Less Blood" (Length: 2:20 min.)
The clip begins at 7:20 with Anwar leading the film crew through a storefront to a place where he killed people. It ends at 9:40 after Anwar demonstrates his killing technique and describes how he forgets by getting drunk and dancing. His companion says, "He's a happy man."
Clip 3: "Self Reflection" (Length: 2:23 min.)
The clip opens at 22:41 with Anwar watching the video of the previous clip. It ends at 25:04 with Congo saying, "It's my mistake."
The main activity is designed as a follow-up to reading the work of Hannah Arendt and exploring the meaning of her famous phrase, "the banality of evil." There are several options for this, depending on the level of your students and the time available. For example,
- Assign all students to read Arendt's Eichmann in Jerusalem: A Report on the Banality of Evil in its entirety. To check for understanding, have them summarize in a single paragraph what Arendt meant by the phrase "the banality of evil."
- Provide your own description of the context of Arendt's work and read together as a class one or more of the explanations of "the banality of evil" in the resources section of this plan.
- Assign students to read a summary of Arendt's work in the Internet Encyclopedia of Philosophy. (Scroll down to section 6 titled "Eichmann and the 'Banality of Evil.'")
2. Introducing the Lesson
Do a check-in to be certain that students understand the meaning of "the banality of evil." Then tell them they are going to be applying the phrase to a historical event that occurred two decades after the end of World War II. Their assignment is to decide whether or not the phrase aptly describes the perpetrators in that event.
3. Introducing the Film
Tell students that they are going to watch clips from a controversial Academy Award-nominated film, The Act of Killing. The first clip explains the film's subject matter and its approach. Show Clip 1. Before moving on, be sure that students know some basics about Indonesia and about the current ties between the United States and Indonesia. If they need information and if time allows, you might want them to read the entry on Indonesia on the U.S. Department of State website or the entry in the CIA World Factbook.
4. Showing the Film
Tell students that the man featured in the film clips they are about to see is named Anwar Congo. Remind them that their assignment after viewing is to answer the following question: Does Anwar exemplify Arendt's concept of "the banality of evil" or not? Show Clip 2 and Clip 3, taking a few minutes after each for students to comment on what he or she noticed. For example, some might notice that Anwar's grandson is in the room during the second clip, while others might comment on Anwar's demeanor or what he chooses to discuss.
If time allows, you might ask advanced-level students the following: How does The Act of Killing build on Arendt's concept? Beyond lessons about the nature of humanity, how does the film deepen your understanding of the idea of the performance (i.e., re-enactment) of evil? The pleasures of evil? The trauma of evil? Do you think that acts considered evil that are left unpunished draw society into a kind of moral vacuum?
5. Applying the Concept/Assessment
As homework, assign students to write persuasive essays that answer the following question:
Does Anwar Congo exemplify Arendt's concept of "the banality of evil" or not?
6. Discussion, Debate and Diolague
On the day you collect the essays, allow students to share what they wrote with one another (either in class or online in a class wiki) and comment on the arguments they made and the evidence they used to back up their opinions. Ask for their evaluation of which arguments were the strongest and why.
- Assume for the sake of argument that in 1965, the prospect of communists governing Indonesia posed a grave threat both to Indonesians and to the United States. Write a persuasive essay that answers the following question: Did the ends justify the means?
- Investigate other autocratic leaders and situations involving death squads, either in current events or in recent history (e.g., Charles Taylor, Augusto Pinochet, Boko Haram, the genocide in Rwanda). Discuss whether "the banality of evil" applies to those events. Examine the role of national truth and reconciliation committees and/or the International Court of Justice in exacting justice for those atrocities. Debate whether or not students think that the International Court of Justice ought to bring Indonesian leaders or men like Anwar to trial for crimes against humanity.
- Study U.S.-Indonesian relations further. Has (or should) the United States acknowledge(d) its role in the Indonesian mass killings? Make policy recommendations on what future relations should look like, including whether or not the United States should declassify relevant documents relating to the events of 1965. Consider other possible actions the U.S. government could take to help bring clarity and healing.
- View the full film and ask students to read director Joshua Oppenheimer's article in The Guardian. The article discusses the present-day legacy of atrocity in Indonesia, impunity and the impact of the film. Invite students to compare and contrast The Act of Killing with films they have seen that depict other atrocities in history (e.g., Schindler's List, Night and Fog, Missing). How does The Act of Killing differ from these films in form, subject matter and impact?
The Banality of Evil
Banality of evil is a philosophical term meaning that evil occurs when ordinary individuals are put into corrupt situations that encourage their conformity.
The phrase, the banality of evil, is a difficult one because it seems to imply that evil itself is banal. What she meant was that this man [Eichmann] and many, many like him was banal. And banal meant for her--and she talked about this at length--banal meant thoughtless. It meant that the man showed no capacity to engage in any interior dialogue with himself about what he was doing. No capacity, as we would say, for reflection. No sense of self, no moral sense as she understood it.
Source: Interview with Arendt biographer Elisabeth Young-Bruehl
I was struck by a manifest shallowness in the doer which made it impossible to trace the incontestable evil of his deeds to any deeper level of roots or motives. The deeds were monstrous, but the doer--at least, the very effective one now on trial--was quite ordinary, commonplace, and neither monstrous nor demonic.
Source: Hannah Arendt quoted in an article in The New Yorker, which published the reporting in which she originally used the phrase www.newyorker.com/books/double-take/eighty-five-from-the-archive-hannah-arendt
The trouble with Eichmann was precisely that there were so many like him, and that the many were neither perverted nor sadistic, that they were, and still are, terribly and terrifyingly normal.
Source: Hannah Arendt, the epilogue of Eichmann in Jerusalem: A Report on the Banality of Evil (1963)
Arendt reported on the disturbing fact that struck her--and many others, including the Israeli judges--that Eichmann was decidedly average. The evil of Eichmann's deeds was indisputable, and Arendt is fully convinced he should be hung for his crimes. Yet, notwithstanding what he had done, Eichmann's motivations seemed grounded in typical bourgeois drives. He was ambitious. He sought the recognition that came from success and the affirmation that flowed from belonging to a movement. He was, she concluded, not stupid, but thoughtless. And it was this "absence of thinking--which is so ordinary an experience in our everyday life, where we have hardly the time, let alone the inclination, to stop and think"--that Arendt came to see as the dangerous wellspring of evil in modern times.
Source: The Hannah Arendt Center for Politics and Humanities at Bard College
The Act of Killing
In addition to information about the film and filmmakers, the site includes historical background, production notes and selected reactions to the film.
POV: The Act of Killing
The site includes a general discussion guide with additional activity ideas.
POV: Media Literacy Questions for Analyzing POV Films
This list of questions provides a useful starting point for leading rich discussions that challenge students to think critically about documentaries.
BRITDOC Puma Impact Report: The Act of Killing
This is a detailed report on the outreach campaign and impact of the film in Indonesia and around the world.
The Guardian: "The Act of Killing Has Helped Indonesia Reassess its Past and Present"
This 2014 article, written by filmmaker Joshua Oppenheimer, discusses the filmmaking process, the present-day legacy of atrocity in Indonesia and the impact of the film.
Library of Congress: The Hannah Arendt Papers
The original manuscript of Eichmann in Jerusalem, which first appeared in serial form in the magazine The New Yorker, can be viewed on the Library of Congress website.
Pretext for Mass Murder: The September 30th Movement and Suharto's Coup d'État in Indonesia by John Roosa
This book provides a detailed account of the genocide and the events leading up to it.
Tempo: "Requiem for a Massacre"
In 2012 the leading Indonesian news magazine Tempo published an unprecedented 75-page special on the 1965-66 killings, with testimonies from the perpetrators.
Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science and Technical Subjects
- W.11-12.1 Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.
- W.11-12.2d Use precise language, domain-specific vocabulary and techniques such as metaphor, simile and analogy to manage the complexity of the topic.
- W.11-12.4 Produce clear and coherent writing in which the development, organization and style are appropriate to task, purpose and audience.
- SL.11-12.1 Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups and teacher-led) with diverse partners on grades 11-12 topics, texts and issues, building on others' ideas and expressing their own clearly and persuasively.
- SL.11-12.3 Evaluate a speaker's point of view, reasoning and use of evidence and rhetoric, assessing the stance, premises, links among ideas, word choice, points of emphasis and tone used.
- SL.11-12.4 Present information, findings and supporting evidence, conveying a clear and distinct perspective, such that listeners can follow the line of reasoning, alternative or opposing perspectives are addressed and the organization, development, substance and style are appropriate to purpose, audience and a range of formal and informal tasks.
- SL.11-12.6 Adapt speech to a variety of contexts and tasks, demonstrating a command of formal English when indicated or appropriate.
Content Knowledge: a compilation of content standards and benchmarks for K-12 curriculum by McRel (Mid-continent Research for Education and Learning).
Language Arts, Standard 1: Uses the general skills and strategies of the writing process.
Language Arts, Standard 2: Uses the stylistic and rhetorical aspects of writing.
Language Arts, Standard 8: Uses listening and speaking strategies for different purposes.
Language Arts, Standard 9: Uses viewing skills and strategies to understand and interpret visual media.
National Curriculum Standards for Social Studies:
(www.socialstudies.org/standards/strands) as adopted by the National Council for the Social Studies in 2010.
Strand 2: Social studies programs should include experiences that provide for the study of the past and its legacy.
Strand 6: Social studies programs should include experiences that provide for the study of how people create, interact with and change structures of power, authority and governance.
Strand 9: Social studies programs should include experiences that provide for the study of global connections and interdependence.
ABOUT THE AUTHOR
Faith Rogow, Ph.D., is the co-author of The Teacher's Guide to Media Literacy: Critical Thinking in a Multimedia World (Corwin, 2012) and past president of the National Association for Media Literacy Education. She has written discussion guides and lesson plans for more than 200 independent films.
If Hannah Arendt (1906-75) leaves no other intellectual legacy, her notion of "the banality of evil" seems certain to ensure her a place in the history of Western thought. The idea, emblazoned in the subtitle of her controversial 1963 book, Eichmann in Jerusalem, impressed many people as a fundamental insight into a new and distinctly modern kind of evil. Adolf Eichmann had been a leading official in Nazi Germany's SS, one of the key figures in the implementation of the Final Solution, and he had managed to remain in hiding in Argentina until Israeli agents captured him in 1960. In her critical account of his 1961 trial for crimes against the Jewish people and humanity, Arendt argued that Eichmann, far from being a "monster," as the Israeli prosecutor insisted, was nothing more than a thoughtless bureaucrat, passionate only in his desire to please his superiors. Eichmann, the unthinking functionary capable of enormous evil, revealed the dark potential of modern bureaucratic man.
This idea of evil was almost entirely new. Before the Enlightenment, most theological and philosophical thinking about the nature of evil rested on the assumption that evil deeds are the product of strong passions--pride, ambition, envy, hatred. During the Enlightenment and into the 19th century, many Western thinkers suggested that evil grew less out of man's dark passions than from unjust social conditions, and many assumed that it would eventually be eradicated through social and political transformation. By Arendt's time, that confidence had been shattered by the terrors of Nazi-occupied Europe, Japanese-occupied China, and the Soviet Union. Secular intellectuals were left groping for new explanations, and to many it appeared that Arendt had found one. The killing fields of Cambodia, Rwanda, and Bosnia have kept the question--and Arendt's answer--very much alive. "We have a sense of evil," Susan Sontag has said, but we no longer have "the religious or philosophical language to talk intelligently about evil."
Arendt's thesis about Eichmann was attacked in the popular press and questioned by historians of the Nazi era, but many intellectuals have staunchly supported her. The novelist Leslie Epstein, writing in 1987, argued that "the outrage . . . that greeted Arendt's thesis when applied to Adolf Eichmann indicates the depth of our need to think of that bureaucrat as different from ourselves, to respond to him, indeed, as a typical character in Holocaust fiction--a beast, a pervert, a monster." Epstein's point is that modern bureaucratic man, unthinkingly going about his daily routine, whatever it is, is always a potential Eichmann.
While the controversy over Arendt's idea has continued, the phrase banality of evil has slipped easily into the language, becoming a commonplace, almost a banality itself. Journalists and others freely apply it as an all-purpose explanation--for the racist treatment of African Americans, the terror of Saddam Hussein's rule in Iraq, and even, in the case of one theater critic, the betrayal of Sir Thomas More in A Man for All Seasons. In the intellectual world, it remains an idea of consequence. Bernard Williams, Britain's pre-eminent moral philosopher, cites Arendt in declaring that "the modern world . . . has made evil, like other things, a collective enterprise." It is remarkable how much enthusiasm has been aroused by an idea that is so deeply flawed.
Banal is not a word that one would normally associate with evil. Its modern meaning--commonplace, trivial, without originality--did not arise until the 19th century. In feudal times, banal referred to land or property held in common, or property that feudal tenants were required to use, such as a "bannal-mill." By the 1830s, the neutral word signifying what was held in common had become a pejorative signifying ideas--often concerning scientific and commercial progress--that were popular with the rising middle class. In France, where the term had much the same career, the novelist Gustave Flaubert complained in 1862 that his country had become a place where "the banal, the facile, and the foolish are invariably applauded, adopted, and adored"--a development he blamed largely on the increasing popularity of that most modern creation, the newspaper. "The banality of life," he declared in another letter, "must make one vomit with sadness when one considers it closely." His Madame Bovary (1857) can be seen as a portrait of a woman with profound longings that she can express only in banal language.
It is a long way from Emma Bovary to Adolf Eichmann, but the Eichmann described by Arendt has one thing in common with Flaubert's protagonist: he was, she writes, "genuinely incapable of uttering a single sentence that was not a cliche." Even on the day he was to be hanged, Eichmann spoke in cliches. "It was as though in those last minutes he was summing up the lesson that this long course in human wickedness had taught us--the lesson of the fearsome, word-and-thought-defying banality of evil [emphasis in original]."
This startling conclusion is given without further explanation, but Arendt had been brooding about the nature of evil for at least two decades. In 1945, she wrote that "the problem of evil will be the fundamental question of postwar intellectual life in Europe." She knew something of the "problem" from personal experience, having fled Germany for Paris when the Nazis came to power in 1933, then taking refuge in the United States in 1941. A student of the philosophers Karl Jaspers and Martin Heidegger during her years in Germany, she eventually made her way onto the faculty of the New School for Social Research in New York City.
Glimmerings of her banality thesis appeared in The Origins of Totalitarianism (1951), her first book, in which she argued that the rise of totalitarianism had pointed to the existence of a new kind of evil: "absolute evil," which, she says "could no longer be understood and explained by the evil motives of self-interest, greed, covetousness, resentment, thirst for power, and cowardice." She often said that traditional understandings of evil were of no help in coming to grips with this modern variant, and she may have wanted to attend the Eichmann trial, which she covered for the New Yorker, in order to confront it and clarify her ideas.
Arendt must have thought that the meaning of her phrase was obvious, since she did not explain it, but even some of her friends were puzzled. The novelist Mary McCarthy told her that their mutual friend Nicolo Chiaramonte "thinks he agrees with what you are saying but he is not sure he has understood you." And Karl Jaspers suggested that she needed to make clear that she was referring to the evil acts committed by the Nazis: "The point is that this evil, not evil per se, is banal."
Banal was a curious word choice. It is an aesthetic term, not a moral one. It applies more to ideas, as Flaubert used it, than to deeds. One could perhaps speak of the banality of an evil act if one were engaged in the dubious task of judging how inventive a particular evil deed was, as Thomas De Quincey jokingly pretends to do in his 1854 essay "Murder Considered as One of the Fine Arts." Were the murderous deeds committed by the Nazis banal? The question makes no sense. Evil acts, it seems clear, are neither banal nor not banal. The term banality does not apply to evil, just as it does not apply to goodness.
It makes sense to use the term banal when talking about ideas, but are the ideas that motivated the leading Nazis banal? The pseudoscientific categorization of millions of people as less than human and therefore worthy of extermination is a repulsive idea, but it is not a banal or "commonplace" idea. As historian Saul Friedlander says in Nazi Germany and the Jews (1997), "Nazi persecutions and exterminations were perpetrated by ordinary people who lived and acted within a modern society not unlike our own; the goals of these actions, however, were formulated by a regime, an ideology, and a political culture that were anything but commonplace."
Angered by the attacks on Eichmann in Jersualem, Arendt claimed that her book had nothing to do with ideas. "As I see it," she said to McCarthy, "there are no 'ideas' in this Report, there are only facts with a few conclusions. . . . My point would be that what the whole furor is about are facts, and neither theories nor ideas." In a postscript written for the paperback edition, she makes a similar point: "When I speak of the banality of evil, I do so only on the strictly factual level, pointing to a phenomenon which stared one in the face at the trial." Indeed, the book's subtitle is A Report on the Banality of Evil.
But the banality of evil cannot be regarded as a fact. Even Arendt implied as much in a letter to McCarthy: "The very phrase, 'the banality of evil,' stands in contrast to the phrase I used in the totalitarianism book [The Origins of Totalitarianism], 'radical evil.' This is too difficult a subject to be dealt with here, but it is important." In another letter to McCarthy, she seems to admit that she has conflated two different questions: the nature of evil and the nature of the man who committed the evil. "My 'basic notion' of the ordinariness of Eichmann is much less a notion than a faithful description of a phenomenon. I am sure that there can be drawn many conclusions from this phenomenon and the most general I drew is indicated: 'banality of evil.' I may sometime want to write about this, and then I would write about the nature of evil."
According to Arendt, then, she wasn't writing about the nature of evil when she spoke of the banality of evil. She was only writing about the nature of Eichmann, whom she regarded as a banal man--banal insofar as he was an ordinary bureaucrat who "except for an extraordinary diligence in looking out for his personal advancement . . . had no motives at all." Her point is that Eichmann, though a high-level Nazi official, was not strongly influenced by Nazi ideas. As she wrote to McCarthy, "One sees that Eichmann was much less influenced by ideology than I assumed in the book on totalitarianism."
Was Arendt right about Eichmann? She was right to say that it made no sense to call Eichmann, as the Israeli prosecutor would have it, "a perverted sadist." And she was right to say that "with the best will in the world one cannot extract any diabolical or demonic profundity from Eichmann" (though no serious thinker has suggested that evil people are necessarily diabolic or demonic). But she was wrong to conclude that because Eichmann was not a fanatical anti-Semite he therefore wasn't a fanatic. She herself admits that he was a fanatical believer in Hitler; she speaks of "his genuine, 'boundless and immoderate admiration for Hitler' (as one of the defense witnesses called it)," and she implies that he subscribed to the Nazi formulation of Kant's categorical imperative: "Act in such a way that the Führer, if he knew your action, would approve it." Eichmann's fanatical devotion to Hitler led him to reject Heinrich Himmler's orders in the last year of the war to stop the Final Solution. Eichmann was not a Nazi fanatic but a Hitler fanatic--a distinction without a difference, since Hitler was a fanatical anti-Semite. To be sure, if Hitler had changed his mind and said that all Jews should be given apartments on the Riviera, Eichmann would have zealously carried out those orders as well.
Arendt was so preoccupied with proving that Eichmann was an unfanatical bureaucrat that she refused to take seriously the speech he gave before he went to the gallows, in which he made it clear that he still believed in the glories of Hitler's fallen Third Reich. Describing Eichmann's final speech, she says: "He began by stating emphatically that he was a Gottglaubiger, to express in common Nazi fashion that he was no Christian and did not believe in life after death." In other words, he was still a good Nazi who believed in the Germanic gods; he was not a Christian. Then she quotes Eichmann as saying: "After a short while, gentlemen, we shall all meet again. Such is the fate of all men. Long live Germany, long live Argentina, long live Austria. I shall not forget them." Arendt dismisses these remarks as so much "grotesque silliness." They are not completely coherent, but the main point is clear: Eichmann is paying homage to the "ideal" Germany of Hitler; he is looking back nostalgically to the glorious days when men like himself were in power.
Perhaps Arendt was so insistent that Eichmann was an ordinary bureaucrat because she thought the key to the evils of the modern world was the increasing power of bureaucracies. In The Human Condition (1958), she argued that bureaucracy, which she defined as "rule by nobody," is "not necessarily no-rule; it may indeed, under certain circumstances, even turn out to be one of its cruelest and most tyrannical versions." In this she was influenced by the great sociologist Max Weber (1864-1920), who spoke in despairing terms about the rise of bureaucratic man. "It is horrible to think," he declared, "that the world could one day be filled with nothing but those little cogs, little men clinging to their jobs and striving towards bigger ones." Arendt, in the postscript to Eichmann in Jerusalem, strongly echoes Weber: "The essence of totalitarian government, and perhaps the nature of every bureaucracy, is to make functionaries and mere cogs in the administrative machinery out of men, and thus to dehumanize them." In her view, Eichmann was so much the bureaucratic man that he "never realized what he was doing [emphasis in original]."
Arendt strongly implies that the essence of totalitarianism is bureaucratization, or that there is a high degree of correlation between the two, even though in the 20th century the democracies have become increasingly bureaucratic states without embracing totalitarianism. Moreover, as many scholars have pointed out, the German state bureaucracy at times hindered the Nazi Party's effort to destroy the Jews. What distinguishes Nazi Germany from other regimes is not its bureaucratic nature but its racial ideas. These ideas were what led to the murder of millions, not only in concentration camps administered by impersonal bureaucracies but by wide-ranging special forces who rounded up Jews and shot them after forcing them to dig their own graves.
In her earlier writings, Arendt put more emphasis on the ideology of totalitarian regimes than on their bureaucratic nature. In 1963, however, she told McCarthy that she had overestimated the impact of ideology. What was most disturbing about totalitarian regimes, she often suggested in the last decade of her life, was their production of "ordinary" bureaucratic men who lead compartmentalized lives--dutifully and even eagerly obeying orders to kill and torture people during the day while remaining good family men at night. This notion of a motiveless, thoughtless bureaucratic man was what she meant by the "banality of evil."
Arendt never changed her view of Eichmann. In the introduction to Thinking, which she wrote in the early 1970s, she says: "The deeds [of Eichmann] were monstrous, but the doer . . . was quite ordinary, commonplace, and neither demonic nor monstrous. There was no sign in him of firm ideological convictions or of specific evil motives." And she repeats what she said in the earlier book's postscript: Eichmann's main characteristic was thoughtlessness, which is not--she says--the same thing as stupidity.
In Thinking she decides to make even greater claims for her thesis by saying that she was not describing a modern kind of evil but attempting to clarify the nature of evil in general. "Is evil-doing . . . possible in default of not just 'base motives' . . . but of any motives whatever? . . . Is wickedness, however we may define it . . . not a necessary condition for evil-doing? Might the problem of good and evil, our faculty for telling right from wrong, be connected with our faculty of thought?"
Given the roll call of "thoughtful" people who have supported evil regimes, it seems odd to blame "thoughtlessness." One of them--at least during the early days of Hitler's triumph--was Martin Heidegger (1889-1976), Arendt's mentor (and onetime-lover), who declared in 1933 that "the FŸhrer alone personifies German reality and German laws, now and in the future." Heidegger can hardly be called "thoughtless," unless we say that anyone who has a foolish political idea is thoughtless. Heidegger found in Nazism an antidote to the evils of modernity--bureaucraticization, industrialism, materialism, scientism--which, in his view, deprived human beings of their authenticity, and cost them a loss of Being. Looking at Hitler from the mountain peaks of German philosophical thought, Heidegger may not have noticed that racial anti-Semitism was at the heart of his thinking--but this is giving Heidegger the benefit of the doubt.
Some critics have suggested that there is a connection between Arendt's depiction of Eichmann as "thoughtless" and her defense of the "thoughtful" Heidegger, with whom she maintained a friendship until the end of her life, visiting him on numerous occasions even though his wife was intensely jealous of her. In the Times Literary Supplement recently, novelist and screenwriter Frederic Raphael suggested that "Arendt's 'understanding' of Eichmann might have been a function of her unspoken desire to exempt her Nazi lover . . . from the damnation he deserved." There is no question that Arendt tried to play down Heidegger's connection with the Nazis, saying to the philosopher J. Glenn Gray that Heidegger's pro-Hitler 1933 speech was "not Nazi . . . [but] a very unpleasant product of nationalism." But even though in the postwar years Arendt renewed her friendship with Heidegger, she grew increasingly critical of his ideas. Perhaps her treatment of Eichmann was influenced by her loyalty to Heidegger, but the main idea that shaped her thinking was Weber's notion of bureaucratization.
From banality to thoughtlessness, there is a common denominator in Arendt's attempts to clarify the nature of evil, which is that evil is less a choice than the outcome of certain circumstances. Arendt's seeming embrace of determinism bothered McCarthy: "One cannot help feeling that this mental oblivion [of Eichmann's] is chosen, by the heart or the moral will--an active preference." She said that Arendt was creating a monster of her own. "Perhaps I'm dull-witted, but it seems to me that what you are saying is that Eichmann lacks an inherent human quality: the capacity for thought, consciousness--conscience. But then isn't he a monster simply? If you allow him a wicked heart, then you leave him some freedom, which permits our condemnation." Thus, even Arendt's closest friend and strongest defender had grave doubts about her explanation of Eichmann.
While she grappled for decades with the question of evil, Arendt never seriously considered the objections of her critics. It seems not to have occurred to her that her own attempts to analyze evil were a muddle. No doubt she was fortified by the continuing support for her views in intellectual circles. Writing only recently in the New York Review of Books, the Israeli journalist Amos Elon rehearsed many of the old arguments again, suggesting that those who were unable to accept Arendt's view of Eichmann as an evildoer devoid of evil qualities were led astray by their repugnance toward his crimes. Arendt, Elon said, "made many small errors . . . but she also got many of the big things right, and for this she deserves to be remembered." Not so. She got two very big things wrong: the nature of Eichmann and the nature of evil.